- #Final cut pro for mac 2011 drivers#
- #Final cut pro for mac 2011 software#
- #Final cut pro for mac 2011 professional#
Switching to the new Final Cut from the old one is like coming home from college to discover that your parents remodeled your bedroom. The bottom line: The rewritten Final Cut is much, much easier to use than the old one, and its immediacy keeps your creative flow going.īut not everyone will fall in love. Final Cut can also stabilize shaky footage during the import process, and even eliminate hums or hisses in your audio. You can also apply keywords to any portion of any clip -“Closeup,” “Grandma,” whatever the program puts keyworded clips into appropriately named virtual folders, too. Like iMovie, Final Cut can analyze newly imported video and figure out which shots have people in them - one person, two people, group shots - and put them into virtual folders automatically. The new Timeline Index presents a tidy, clickable chronological list of everything in your movie: clip names, markers, clip keywords and so on. You can adjust the playback speed of a clip - slow-mo, fast-mo, whatever - just by pressing a key and then dragging the clip’s right edge, so that it occupies a longer or shorter chunk of the timeline. Color Match does an impressive job making the overall color cast of one clip (a broad-daylight shot, for example) match the lighting of another (say, a sunset scene). This is great if you’re sitting with a client or director, asking for input. The Auditions feature lets you compare alternative shots in the timeline, trying them out without having to place them individually. Compound Clips make it simple to manage with a complicated composition without going quietly insane. You can adjust it, move it and apply effects as if it were a single unit, and then un-merge it anytime you like. In fact, an ingenious feature called Compound Clips lets you collapse a stack of audio and video clips into a single, merged filmstrip on the timeline. Primary audio and video are always synced, and you can even lock other clips together so that they all move as one. But in the new Final Cut, “sync is holy,” as Apple puts it. Second, in the old Final Cut, it was all too easy to drag the audio and video of a clip out of sync accidentally little “-1” or “+10” indicators, showing how many frames off you were, were a chronic headache. You cannot, however, organize your files or delete clips during rendering. Final Cut X renders in the background, so you can keep right on editing.
#Final cut pro for mac 2011 software#
Once you’re past the shock of the new layout, the first thing you’ll notice is that Apple has left most of the old Final Cut’s greatest annoyances on the cutting-room floor.įirst - and this is huge - there’s no more waiting to “render.” You no longer sit there, dead in the water, while the software computes the changes, locking up the program in the meantime, every time you add an effect or insert a piece of video that’s in a different format. In fact, it looks and works a lot like iMovie, all dark gray, with “skimming” available you run your cursor over a clip without pressing the mouse button to play it. The new Final Cut has been radically redesigned. You can’t change the settings of your exported QuickTime movies without the $50 Compressor program.
#Final cut pro for mac 2011 drivers#
You can use a second computer monitor, but you need new TV-output drivers to attach an external video monitor. They say the new program is missing high-end features like the ability to edit multiple camera angles, to export to tape, to burn anything more than rudimentary DVDs and to work with EDL, XML and OMF files (used to exchange projects with other programs).
#Final cut pro for mac 2011 professional#
Some professional editors are already insisting that Apple has made exactly the same mistake with Final Cut X they pointed out various flaws with the program after an earlier version of this column was posted online on Wednesday.
Didn’t Apple kill off iMovie, too, in 2008, and replace it with an all-new, less capable version that lacked dozens of important features? It took three years of upgrades before the new iMovie finally surpassed its predecessor in features and coherence. Apple veterans may, at this point, be feeling some creepy déjà vu.
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